Crusader of Centy

North American box art.

Crusader of Centy is an action adventure game developed by NexTech and published by Atlus for the Genesis on 1994-06-17. It was marketed in Japan as part of the Mega RPG Project, and attempt to publish more RPGs on the Mega Drive to compete with the growing library on the Super Famicom. In the game, you play the 14-year-old boy Corona who tries to uncover the mystery of why monsters have recently become more dangerous. Along the way, he learns combat techniques and attracts animal flowers which give him special abilities. The game play borrows heavily from The Legend of Zelda: A Link to the Past.

Personal

I saw this game being reviewed on a video of lesser-known Genesis RPGs, and the video footage made the game look really interesting. I started playing it and found that it look and sounded great, but didn't really play all that well. Still, it was enjoyable enough to keep playing and I beat it on 2020-05-17. I saved the game world with a hero named Corona while staying at home in the real world to avoid the coronavirus.

Status

I don't own this game, but have beaten it.

Review

5	5	8	7	6

Best Version: Genesis

— This section contains spoilers! —

Good

• The art is bright and colorful with very cheerful characters. I especially love the angry squirrel.
• The developers used a lot of programming tricks to create great visual effects. As well a nice pixel art effects, like the footprints in the sand.
• The game's music, composed by Motokazu Shinoda, is very good. It has several hummable melodies as well some moody music and driving boss tracks.
• I like the special animation for diagonal movement.
• The cheetah race and river-crossing logic puzzle is a nice mini-game.
• There are a fair amount of optional hidden objects to find which helps replay.

Bad

• The story is lame. Monsters have recently become more numerous, so the king is training teenagers to figure out why. You play one of the 14-year-old boys whose job it is to do just that. However, as you play, there are countless tangents that lead you all over the world.
• The player control could be better. It never feels entirely fluid and it takes a lot of bumping into things before you become acclimated to the controls.
• Many times throughout the game I was at a loss for where to go next. Part of this is from the large winding maps full of dead-ends and useless areas, but the other part is a lack of cues pointing your way. Sometimes you have to talk to the same person multiple times before they will give you the information necessary to progress. There is even one case where to have to read a sign after a specific event to go further (even if you've read it already and know what it says).
• Although you swing your sword in a large arc, it only hits things directly in front of you. This is very apparent when trying to cut down grass, and hitting monsters isn't much easier.
• The map design leaves a lot to be desired. Nearly all of the grass and crates aren't worth cutting open, and the maps are large and empty. I would prefer the maps to either be smaller or more populated.
• I don't get why your animal helpers hover behind you where ever you go, it's rather distracting.
• You amass a lot of gold, but there are very few things to spend it on. Really you're just saving up for one expensive thing, and, after that, gold is meaningless.
• Some of the hidden objects are a bit too hidden, like the fence post that requires you to jump on it over 30 times before the secret is revealed. Few of these things are necessary, but they're not the kind of thing a person would stumble upon without a hint book.
• I like the idea of being able to speak to plants and animals, but, by taking away the player's ability to speak to humans so early in the game, and for such a long time, causes problems. The player is forced to revisit a lot of areas to see what the humans would have said.
• Dippy takes a lot of the skill out of the game by allowing you to be immune to spikes and conveyors. It wouldn't be as bad if he were optional, but he's a mandatory companion.
• In the American release, there are a fair amount of typos in the dialogue including improper word-wrapping, incorrect scrolling, spelling errors, and inconsistent spacing after punctuation.
• By allowing the player to save pretty much anywhere in the game, save scumming becomes a problem. Although, you have to reset your Genesis to take advantage of it.
• All of the spike jumping in Camillia Desert is pretty annoying.
• Many bosses don't flash or knock-back when you injure them, so you have to watch their apple counter to tell when you're actually hitting them.
• When you're in the past, in order to keep players limited to just specific areas of the game, the developers just don't let the player leave certain areas. It would have been nicer if they made a barrier on the map so it didn't look so silly.
• For some reason, the penguin has a duck's bill.

Ugly

• The game is a shameless ripoff of The Legend of Zelda: A Link to the Past, but they lost all of the game's magic and finesse, and created a rather hollow simulacrum.
• The story tries to teach the message that monsters aren't evil, in fact, they're quite peaceful, but they were the victims of a massive natural disaster which brought them to the human world. So, rather than learn to live in harmony, you attack and kill the majority of them, and destroying the energy force that brought them here, and they're all sucked back to their dark underground home world. The story "solves" the problem of xenophobia by segregating everyone forever.

Media

Box Art

• 

  The Japanese box has Corona and his animal pals running from the dragon Maldra. The quality of the art is good, but Corona's character design is awful with his ridiculously huge hands and feet. The clay tablet lettering is kind of nice though.

• 

  The European box is pretty abstract. A Renaissance-era sword with a mirrored pixelated face and hands? I don't get it. The lettering seems both fantasy and historic at the same time.

• 

  The North American box art mixes the fantasy sword with the historic clay tablet, which isn't too bad.

Documentation

• 

  US manual.

Videos

Longplay.

Credits

Roles	Staff
Executive Producer	Katsuji Aoyama
Producer, Scenario	Yayoi Onda
Game Design	Yayoi Onda, Toshio Toyota
Main Programmer	Yukihiko Tani
Sub Program	Toshio Toyota, Satoshi Otake
Character Designer, Graphic Designer	Toshio Yamamoto
Graphic Designers	Kazuhiro Nagata, Masayuki Matsushima
Object Designers	Yoshihisa Shimizu, Kiyoka Tajima
Boss Character Designer	Yoshitaka Maki
Music Composer	Motokazu Shinoda
Sound Operator	Noriyuki Iwadare
Special Thanks	Mucky, Isao Mizoguchi

Titles

Language	Native	Transliteration	Translation
English (Europe)	Soleil
English (US)	Crusader of Centy
Japanese	新創世記ラグナセンティ	Shin Soseiki Ragunasenti	New Genesis Ragnacënty
Korean	라그나센티 신창세기	Sinchangsegi Lageunasenti	Ragnacent New Genesis

Links